Tasha Namijinpa Collins - Ngapa Jukurrpa (Water Dreaming) – Puyurru

Artwork
Artwork

Mainie Australia - Ngapa Jukurrpa Painting

$225.00 AUD

Artwork Name: Ngapa Jukurrpa (Water Dreaming) – Puyurru

Artist: Tasha Namijinpa Collins

Size: 30cm x 30cm un-stretched canvas

Art Story

The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are ‘mulju’ (soakage’s), or naturally occurring wells. The ‘Kirda’ (owners) for this site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Two Jangala men, rainmakers, sang the rain, unleashing a giant storm. The storm travelled accorss the country from east to the west, initially travelling with a ‘pamapardu Jukurrpa’ (termite Dreaming) from Warntungurru to Warlura, a waterhole 8 miles east of Yuendumu. At Warlura a gecko called Yumariyumari blew the storm on to the Lapurrukurra and Wilpiri. Bolts of lightning Shot out at Wirnpa (also called Mardinymardinypa) and at Kanaralji. At this point the dreaming track also includes (kurdukurda mangkurdu Jukurrpa’ (children of the clouds dreaming). The water dreaming built hills at Ngamangama using baby clouds and stuck long pointy clouds into the ground at Jukajuka, where they can still be seen today as rock formations.

The termite dreaming eventually continued west to Nyirripi, a community approximately 160km west of Yuendumu. The water dreaming then travelled from the south over Mikanji, a watercourse with soakage’s northwest of Yuendumu. At Mikanji, the storm was picked up by a ‘kirrkarlanji’ (brown falcon) and then further north. At Puyurru, the falcon dug up a giant ‘warnayarra’ (rainbow serpent). The serpent carried water with it to create another large lake, Jillyiumpa, close to an outstation in this country. The ‘kirda” (owners) of this story are Jangala men and Nangala women. After stopping at Puyurru, the water dreaming travelled on through other locations including Yalyarilaalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.

In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming). Short dashes are often used to represent ‘Mangkurdu’ (cumulus and Stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles depict ‘mulju’ (soakage’s) and river bed.